Track findings on anything interesting from Art and Design (architecture, fashion, fine-art, interior decoration, product design, and almost any form of aesthetics).
Wednesday, September 24, 2014
Saturday, July 26, 2014
Kehinde Wiley (Painting)
Los Angeles native and New York-based
visual artist Kehinde Wiley has firmly situated himself within art history's
portrait painting tradition. As a contemporary descendent of a long line of
portraitists--including Reynolds, Gainsborough, Titian, Ingres, and
others--Wiley engages the signs and visual rhetoric of the heroic, powerful,
majestic, and sublime in his representation of urban black and brown men found
throughout the world.
By applying the visual vocabulary and conventions of glorification, wealth, prestige, and history to subject matter drawn from the urban fabric, Wiley makes his subjects and their stylistic references juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery.
Without shying away from the complicated
socio-political histories relevant to the world, Wiley's figurative paintings
and sculptures "quote historical sources and position young black men
within the field of power." His heroic paintings evoke a modern style
instilling a unique and contemporary manner, awakening complex issues that many
would prefer remain mute.
Kehinde Wiley received his MFA from Yale
University in 2001. Shortly after, he became an Artist-in-Residence at the
Studio Museum in Harlem. Wiley’s work has been the subject of exhibitions
worldwide and is in the permanent collections of numerous museums including the
Metropolitan Museum of Art, New York; the Studio Museum in Harlem; the Denver
Art Museum; the Los Angeles County Museum of Art; The Hammer Museum, Los
Angeles; the Walker Art Center, Minneapolis; the High Museum, Atlanta; the Columbus
Museum of Art; the Phoenix Art Museum; the Milwaukee Art Museum; the Jewish
Museum, New York; and the Brooklyn Museum, New York. Wiley will be the subject
of a solo exhibition at the Brooklyn Museum in New York in 2015.
Saturday, July 12, 2014
Photography by Slim Aarons
Slim Aarons (American, October 29,
1916–May 29, 2006) was a photographer well-known for his portraits of the rich
and famous. Born George Allen Aarons, he spent his youth in New Hampshire and
New York before joining the army during World War II, where his photography
career began. Working throughout his career with magazines like Life, Holiday,
and Town & Country gave Aarons the chance to document the jet-set
lifestyle of Hollywood stars, American and European socialites, and other
celebrated figures. His approach was simple; using no make-up artists or
artificial lights, he let the natural opulence of his subjects and their
surroundings illuminate his lens. Typical scenes from Aaron’s photography take
place in the sun, and in front of a pool surrounded by bathing beauties.
Aarons’ access to this elite group of subjects speaks to the genuine friendship and confidence he nurtured with his subjects. The 1974 publication of A Wonderful Time: An Intimate Portrait of the Good life solidified Aaron’s place as a notable photojournalist and documentarian of the “good life” and was later followed by the publications of Slim Aarons: Once Upon a Time (2003), Slim Aarons: A Place in the Sun (2005), and Poolside with Slim Aarons (2007).
Monday, May 19, 2014
Architectural Paintings by Ben Grasso
Ben Grasso's works depict suspended architectural structures frozen somewhere between construction and deconstruction.
'His paintings are feats of engineering.
His is an architecture of the apocalypse, but one whose seams thread shapes we
can as yet not fully determine. Excitement and surprise are as much part of
this wildly imagined landscape as is a more measured, even nightmarish,
uncertainty. Here the whacky, the sublime, and the catastrophic converge upon
us unremittingly, but not without grace.'
Tuesday, May 6, 2014
Illusionary Body Art by Emma Hack
Emma Hack began her career as a makeup artist, hairdresser and children’s face painter. But her talents have continued to grow and evolve over the last two decades into the mature and fascinating form she works in today. Her paintings are applied directly to models’ bodies and match up perfectly with their background, acting as a kind of camouflage. But the bodies are not entirely hidden in the patterns; rather, they become part of the pattern and allow the background to flow even more beautifully.
The wallpapers featured are by the legendary designer Florence Broadhurst, licensed specifically for Hack’s use. The intricate designs can sometimes take up to 19 hours to apply. When finished, the model’s body is at once a continuation of the design and a completely unique work of art on its own. The designs accentuate, rather than hide, the fluid beauty and grace of the human form.
The
wallpaper paintings began with Emma doing the painting herself and a photographer
making the images. However, as she has continued to grow as an artist, Emma has
taken over the photography
as well. She has experimented with adding creatures and other types of designs
in to her paintings, adding a new element to the concept of her amazing body
art.
Sunday, April 20, 2014
Paintings (Edward Hopper)
Solitude in Context of American Life
He wrote in 1939, “So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect.”
'I can barely conceive of a type of beauty in which there is no Melancholy.'
- Charles Baudelaire
He wrote in 1939, “So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect.”
'I can barely conceive of a type of beauty in which there is no Melancholy.'
- Charles Baudelaire
Saturday, April 19, 2014
Book Art (Isaac G. Salazar)
Isaac G. Salazar is an American book artist located in
Artesia, NM.
His inspiration comes from multiple things and places like
browsing the used book section for titles that stand out to him. For example
the recycle symbol was created on a book titled "A World with out
Trees".
He likes to take a book that would otherwise end up in a
landfill and turn it into art. He rarely uses new books, unless commissioned
to. He likes to watch Planet Green, and is into alternative energy, recycling
and repurposing which provides him a sense of satisfaction that his art can
contribute to reducing waste.
He has recently ventured into logos and symbols and would
like to pursue this area more.
Monday, March 17, 2014
Sunday, February 23, 2014
Installation Art by Ernesto Neto
Ernesto Neto
began exhibiting in scotland in 1988 and has had solo exhibitions abroad since
1995.
Neto's work has
been described as "beyond abstract minimalism". His installations are
large, soft, biomorphic sculptures that fill an exhibition space that viewers
can touch, poke, and walk on or through. They are made of white, stretchy
material -- amorphous forms stuffed with Styrofoam pellets or, on occasion,
aromatic spices. In some installations, he has also used this material to
create translucent scrims that transform the space's walls and floor. His sculptures can be regarded as expression of traditional abstract form, but in their interaction with the viewer, they work on another level as well.
- 1994, 1997
Escola de Artes Visuais Parque Lage, Rio de Janeiro
- 1994-96 Museu de Arte Moderna, Rio de Janeiro
One of his most
acclaimed installation is at the Panthéon in Paris
called LĂ©viathan Thot.
In 2009 Neto
exhibited a new work at New York's Park Avenue Armory
called anthropodino. Filling the 55,000-square-foot (5,100 m2)
hall, the aim is to help the Armory reposition itself as a big-art destination
like the Turbine Hall in London's Tate Modern.
In 2010 he
exhibited a popular display at London's Hayward Gallery called 'Edges of the World'.
Neto has been
awarded chevalier de L'Ordre des Arts
et des Lettres.
Saturday, February 15, 2014
Paintings by Jeff Martin
Jeff Martin is an Australian artist. He is fundamentally an observer and visual storyteller. He works in series and each series tells a story.
In his most recent body of work titled Back of House (2007 – Current), Jeff takes his audience on a rare journey behind the scenes of the commercial kitchen.
Following two highly successful Back of House exhibitions in Melbourne and Sydney, portraying 30 kitchens of Australia’s finest restaurants, Jeff embarked on Back of House - World. He has been granted privileged access to the kitchens of world-renowned restaurants such as Noma in Copenhagen and Per Se in New York.
Tuesday, January 28, 2014
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